As per tradition here at ESKW/Architects, we like to bid farewell to summer with a season-ending soiree in the great outdoors—of central Brooklyn! Carlos prepared his skirt steak and chimichurri; Randy grilled chicken, salmon, burgers, dogs, and more; Sunčića brought four types of homemade ice cream; Lauretta made five salads(!); Michael Walch treated us with his famous guacamole; JonMark carefully curated the wine selection; and Kimberly mixed specialty cocktails with the help of Sunčića’s backyard-grown basil and jalapenos + Chris’s hand-squeezed lime juice. Little ones, partners, former employees and even pets got in on the fun. It was awesome to get the whole gang together for a celebration. From us and ours to you and yours, here’s to a happy autumn in New York!
Now that summer is officially over, we thought it was a good opportunity to share some of our out-of-office adventures from the season. After all, all work and no play makes for dull architects!
Carlos spent time in his hometown of San Juan, Argentina. He lectured at the National University of San Juan’s architectural school; enjoyed an opera performance in the city’s brand new concert hall; visited a museum where the nation’s seventh president Domingo Faustino Sarmiento was born; and enjoyed good food and wine at the Graffigna-Yanzon vineyard in Valle de Pedernal about an hour south of the city.
Michael Walch and his partner spent most weekends at their house upstate in the Hudson Valley. Between hunting for and refinishing vintage furniture, painting, and gardening, they invited friends over to enjoy local food and wine.
Sunčića travelled to India for a college friend’s wedding. It was a bit of a “study in textures” as she experienced the detail of Mumbai’s airport, danced in sari fabrics, was decorated in henna for the wedding celebration, and caught glimpses of the broad variation of multi-family housing egress stair construction.
Ari used “Stone Age tech” while staying at his cottage in the woods. He built a new deck, added footings and framed the walls for a shed while taking care of some overdue structural improvements on the house. He also let out his inner lumberjack, felling trees and chopping firewood. Luckily, he found a little time to swim, fish, kayak, and take an occasional bike rides.
Janine welcomed baby Dean with her husband Chris and daughter Ella. The newest member of the ESKW/A fam was born July 31, 2018, and measured 8 pounds, 15 ounces and 22.5 inches! The Golub crew visited the office, however Dean slept through most of it.
Chris cracked jokes at a wedding for an old buddy he’s known since middle school. The wedding was in Cincinnati, Ohio, where his mom grew up, so he got to see friends and family in a 2-for-1 travel special.
Kimberly explored the woods with her family around her place upstate and finally succeeded in getting their dog to join them on the paddleboat.
Ruth canoed the “lovely Lake Sebago” at Harriman State Park. In the past, she explored the wilderness by canoeing lakes in the Adirondacks and Ontario with her family. Early this summer, she had a chance to see a late 19th-century atrium modeled after shopping arcades in Milano and Brussels. This one, alas, was in Cleveland,.
Jon Mark went up to Maine for some fresh air and canoeing of his own—and apparently prefers landscapes to selfies so we must trust this is really his vacation photo and not a stock photo titled “beautiful/peaceful lake.”
It was a good summer for everyone, but of course, we also did a lot of work: breaking ground on 3500 Park Avenue, taking a tour of the Sharks! exhibit, and following the construction of the Bedford Green House. We closed out the summer in traditional ESKW/A style with an office party in Brooklyn at the end of September, so check back soon for a photo album of the season-ending soiree!
Last month our office toured the new Ocean Wonders: Sharks! exhibit at the New York Aquarium. Having served as Associate Architect and Architect of Record on this dynamic and highly technical project, we were very excited and proud to show-and-tell the exhibit with the entire office. See our photos below, and head to Coney Island while the weather is still nice and check it out for yourself.
On July 12, 2018, we celebrated Partner Randy Wood’s 30th anniversary with the firm. Staff, family, and friends toasted Randy’s career with champagne, wine, and craft beers. We enjoyed BBQ and listened to musical stylings curated by the guest of honor himself—while muted screenings of Randy’s favorite films (West Side Story, Blade Runner, Repo Man, Brazil, In Like Flint, Spirited Away, Gojira, and Thunderbirds Are Go) played in the background.
Randy started at The Edelman Partnership / Architects in 1988 and has worked on a wide variety of housing, community facilities, institutional, and most recently cultural and aquatics projects. From Two Bridges to True Colors; LaMama Theater to LaMattina Wildlife Center; and St. Marks to Sharks!, Randy has led the firm with a trademark combination of calm and humor.
We at ESKW / Architects (past and present staff alike!) thank Randy for his leadership—and even though he loves the Patriots and Red Sox, we appreciate his devotion to New York City architecture.
Here’s to 30 more years!
Over drinks and ‘d’oeuvres at a TriBeCa bistro, the ESKW/A Office Book Club dove into early-20th century Williamsburg through A Tree Grows in Brooklyn. One of our most tenured team members chose it because—for shame—only one of us had actually read it in school, although it was published in 1943. It turns out our coming-of-age would have to come a little later!
Each of us connected with a different aspect of the story. No spoilers here, but themes of hard-working immigrants, authoritarian figureheads, and reversals of fortune resonated most with us.
“It was lovely,” said Lauretta daCruz, our office manager. “Sometimes we have a terrific book but not a great conversation, or a book no one really liked it and a really good discussion. But [that] night was an awesome chat and we all really loved the book. That was nice.”
Betty Smith crafted such an engaging protagonist that many of us felt like Francie’s memories and experiences were our own—as she went to school, found a job, fell in love, and became herself.
“I felt like I knew her!” quipped Carlos Salinas Weber, one of our architects.
If you need a page-turner for a commute or want to get lost in your recliner at home, A Tree Grows in Brooklyn has our recommendation. There are so many hilarious, heartbreaking, tenacious, and trying little moments and connections throughout. And at a solid but smooth 493 pages, each stretch feels like an accomplishment. Reading it was a challenging yet rewarding experience.
Last night’s meetup marked the seventh completed book since the group’s inception in February 2017—a remarkable achievement considering the team’s regular readings and responsibilities related to work and life in general. The growing list includes The Devil and the White City, Telex from Cuba, The Sellout, Ghost Boy, The Last Painting of Sarah de Vos, and Pedro Paramo.
Next up is the recently departed Philip Roth’s American Pastoral. Other authors we’re eyeing include Don DeLillo, David Foster Wallace, and Tom Wolfe. Give us your recommendations in the comments!
By Frank Ball
If you ask anybody from the undergraduate program at the Pratt School of Architecture who Donald Cromley is, they will have a story for you. I started asking this question to fellow Pratt alumni here at ESKW/A, and their stories spanned the length of his career. He was once the right-hand man to modernist architect Marcel Breuer. At Pratt, Cromley was the department chair, building technology coordinator, and still works as a professor in both history and design. Most are surprised to learn not only that he is still teaching, but that even now in his late seventies, he still leads a walking tour through New Haven. Recently I went on this tour and was moved by what I saw.
On a Saturday morning in March, Donald Cromley’s students gathered at Grand Central. Even though I had graduated, I reached out ahead of time and asked to tag along. We took a New Haven-bound Metro North train to the end of the line and departed at Union Station.
We stood outside the station and looked at a stocky concrete apartment complex across the street. It was called the Church Street South Housing Project, completed by the late architect Charles Moore in 1969. Moore had been dean of Yale’s Department of Architecture (later the Yale School of Architecture) from 1965-1970, and would be remembered as a pioneer of post-modernism.
At the time when Moore designed Church Street South, his work was experimental. The façade obeyed a classical system, but with new materials. What would later be known as post-modernism essentially borrowed iconography from traditional architecture, mixed it together with modernism, and then reassembled everything into something new. The result was refreshing, and in a conceptual way, elevated Church Street South above a level of just basic housing.
“Modernists liked this, you see?” Cromley pointed to the façade and tugged at the leg of his corduroy pants. Like his modernist contemporaries, Cromley also wore a bowtie (because a regular necktie could fall on his drawings and smudge.) Anyway, his point was that Moore used a ribbed block. To be more specific, ribbed block was applied throughout the exterior, except where classical details belonged. The top of the façade is smooth to express a cornice, corners are crisp with reversed quoins, and windows are cleanly trimmed. Everything else is rough and textural ––like corduroy pants.
Once upon a time, the complex was painted with bright super graphics; there were architectural follies and sculptural elements, all early characteristics of Moore’s work. Today, the Church Street Housing complex is scheduled to be razed. We happened to visit on a day when the demolition crews weren’t working, and some buildings waited patiently to be torn down.
We continued on our tour. New Haven has an abnormally high number of parking garages. One such garage is Paul Rudolph’s Temple Street Parking Garage.
“Pay attention to the fenestration.”
We gathered around an elevator vestibule in the parking structure. Rudolph’s office designed the glass wall with simple off-the-shelf parts. The system doesn’t hold up to modern energy codes and has been replaced in other parts of the garage. But because the space inside the vestibule is actually unconditioned, it was allowed to stay. Cromley said these window mullions were originally used in other Paul Rudolph projects, including his namesake: Rudolph Hall.
One corollary of the modern movement was the use of as few materials as possible. As we walked out of the garage and looked back, the concrete streetlights on the upper deck were visible. Yes, concrete streetlights.
“Thank God he didn’t try concrete mullions!”
So why were there so many modernist architects working in New Haven anyway? Cromley told that it was an example of the town versus the gown. In the 1950s the president of Yale, Alfred Griswold, decreed that all significant construction on campus would be avant-garde, freeing Yale from the collegiate-gothic tradition. The amount of courage that it took for an Ivy League president to suggest this, let alone to convince a board of trustees to go along with it, is remarkable. Not to be out done, Mayor of New Haven Richard Lee said the same of municipal construction. Because so many modernist architects were already working on projects at Yale or were in the academic circle, they enjoyed easy access to New Haven projects. As Cromley put it, Griswold simply gave his list of approved architects to Lee.
There are examples of this quirky reciprocity throughout the City of New Haven:
|Paul Rudolph||Rudolph Hall, 1961-1963||Temple Street Garage, 1961|
|Marcel Breuer||Becton Engineering and Applied Science Center, 1968-1970||Armstrong Rubber Co, 1968|
|SOM||Beinecke Library (Gordon Bunshaft), 1961-1963||Conte School, 1962|
|Charles Moore||Dean of Yale’s Department of Architecture, 1965-1970||Church Street South, 1969|
Please make no mistake, there are plenty of examples of architects working in New Haven before working at Yale, and by no means did an architect have to build in either locale to be considered successful. It also didn’t hurt that New Haven had been designated a “Model City” and benefitted from federal funding for urban renewal.
Yet I found other examples of the relationship between buildings at Yale and New Haven that are more complex. For example, the ribbed block on Charles Moore’s Church Street South Housing Project was invented by Paul Rudolph’s office. The concept had essentially been prototyped on Rudolph Hall. This was also a nice homage on Moore’s part, as he became dean immediately after Paul Rudolph but ran the department very differently.
I couldn’t help but reflect on another part of my education while thinking about Donald Cromley’s tour. At about the time when I graduated, Reinier de Graaf, an architect and partner at the firm OMA, published the ominously titled article, “Architecture is now a tool of capital, complicit in a purpose antithetical to its social mission.” The title pretty much sums up the point I’m trying to make, but what happened?
Moore, whom I mentioned earlier, was hardly the first famous modern architect to take on housing for the social good. To name a few, Frank Lloyd Wright, Alvar Aalto, Le Corbusier, and Louis Kahn all stamped their names to various forms of housing for those who could not otherwise afford it. In a way, low-income housing was a perfect corollary to the adage that “less is more,” because these architects had to work with less.
Today it’s hard to escape the feeling that architects primarily serve a privileged class (and that’s part of why I’m so proud to work where I do), but I want to see architecture at large return to its humanitarian past.
Frank Ball is a graduate of the Pratt School of Architecture and currently an architectural designer at ESKW/A. Among other things, he is currently working on the new construction of 76 units of supportive and affordable housing at 1921 Cortelyou Road.
In 1996, the Academy of American Poets designated April National Poetry Month to increase awareness and appreciation of the art form. In keeping with that spirit—and in honor of #throwbackthursday—we’re sharing the poetic, aesthetic stylings of our former office manager Whitney Merritt. She dedicated a poem to the office on her 25th anniversary and even abridged it for her retirement 16 years later. It appears below.
Whitney was the glue in this office for many years. She was truly an ESKW original, having joined the team at age 20 in 1965. She retired in 2011 after 40 years keeping this place together. She loved her family and treated each of us like one of her own. Whitney passed away in August 2013 but will always be a part of our legacy.
TO THE OFFICE
25 years! Has it been that long?
Remember how I drove you crazy with the old Sinatra song?
After 41 years, most of you have never heard that old Sinatra song (“Strangers in the Night”).
In the beginning the copier was in the closet, sitting on a shelf,
And all the typos errors had to be erased—in triplicate—by myself.
Specifications were written with the usual zealous haste,
Then in would come the corrections—I was the queen of cut and paste.
Now the computer prints out the specs and the copier does the collating,
The telephone is much improved, and the fax keeps no man waiting.
25 years! Has it been that long?
After 41 years—and I say this with love:
There is an app for all of the above.
Cut and paste is on the menu while the fax is considered old school,
Because email, Twitter, and Facebook, now the airwaves rule.
The office staff used the go fishing, well off to Montauk I sped,
But I didn’t have any sea legs, so my day was spent in the head.
There are some things though in which I am quite steady,
The first that comes to mind— “Anything for Ever Ready” …
I’ve tried to keep up with the times, but often I could scream,
Because I find it disconcerting talking to machines.
Our clients use us repeatedly, that’s what our bid will say,
And I like to think I’ve played a part in making it that way.
25 years! Has it been that long?
After 41 years, I’ve stayed on land and added FedEx as my evening call,
Though sometimes I think nobody hears me at all.
Electronic conversations are still not my best zone,
But some of our clients are glad to hear I’m still manning the phone.
We’ve sat around this table, a hundred times or more,
When things were on the up and up, or the wolf was at the door.
We’ve shared our lives in many ways—our hopes, our joys, our sorrows,
So now I’ll just propose a toast to many more tomorrows.
After 41 years these sentiments still ring true,
And even though I’ll miss you all, I’m looking forward to something new.
I’m leaving you my contact info; I’m sure email will be your choice,
But truth be told, I would rather hear your voice.
Her heartfelt words meant the world to those who worked with her. Though perhaps less poetic, here are some of our own about her:
- “I was amazed that someone who had been working at the same company for so many years would take such care to do everything perfectly. Besides being someone we could all rely on, she was a great entertainer. Whoever sat at the desk next to her could count on some fun. Once she told us that on her day off she would spend time at Orchard Beach in the Bronx and do some people-watching. She had us in stitches telling stories of people she had seen and doing some imitations.” (Lucille, bookkeeper)
- “When I was hired as the new office manager, it did not take me long to realize that Whitney was a treasure and that I would have very big shoes to fill. She knew everything about the company, and she played an integral part in making it the successful firm it is today. Whitney had a love of life and even though she was strongly opposed to “modern machinery” her curiosity and interest in everything around her made her a wonderful person to spend time with. As she sang and laughed her way through her day at ESKW/A, she imparted knowledge and wisdom that helped me transition into my new role.” (Lauretta, office manager)
- “With her high spirit and strength, Whitney had a way of making me feel closer to home although I was thousands of miles away from my family. I loved her old-fashioned way of doing everything, from typing on her electronic type writer placed in front of her computer, ordering items from JCP catalog, and calling internet the intraweb. She always had a needle and thread to patch something and anti-static spray for skirts! She was truly a special lady.” (Tatjana, former project manager)
- “I feel like she will always be nearby.” (Daughtry, senior architect)