Emphasizing Color at the Murphy Clubhouse Pool

2018DS10 Thomas S. Murphy Clubhouse PoolThe official photos of the Madison Square Boys & Girls Club’s Thomas S. Murphy Clubhouse Pool are in, so we thought it was an ideal opportunity to tell the color story of the project.

The design team used a neutral background palette of grays, white, and natural wood, a decision inspired by the look and feel of luxury spas. “When you let the context be subtle and simple, it’s easy to make other things stand out,” explained Annie Kountz, an architectural designer on the project.

The pool itself is a rich blue due to a special pigment in the plaster. It was envisioned as a deep plane that would lay in contrast to the soft surroundings. “Most rec pools are an aqua or turquoise color, but this blue really pops,” Kountz said.

The existing pool ventilation was outdated and insufficient, so a primary goal of the project was to replace the system which included a round duct above the pool deck. “The duct is actually fabric instead of sheet metal, which allowed for the bright orange color,” said Janine Sutton Golub, another architect on the team. “Blue and orange are complementary, so it doesn’t take anything away. It mimics and outlines the pool’s shape.”

Even with the central focus of blue and orange color at the pool, the design highlights the real stars of the space: the children themselves. As the photos show, their energy and activity take center stage against a neutral, although not uninteresting, backdrop. The design concept was to create a strong tile mosaic that commenced in the lobby and extended into the pool room. The final solution is a massive 90-foot mosaic comprised of white, black, and gray glass tiles by Architectural Ceramics. “There are also hints of beige and a shimmer,” added Kountz.

The development of the mural image became a project of its own. “At first, we thought we’d use an image of an Olympic swimmer, and we searched for inspiring stock images of swimmers, but there were no appropriate images,” Kountz explained. “So we thought, why not just take pictures of the kids? It’s much more meaningful.”

The club’s owner’s rep, LOM Properties, connected with an underwater photographer who volunteered to hold a photoshoot with 30 swimmers from the Murphy Club. The photoshoot resulted in images and still shots from video that were composed and rendered into the mosaic image by the architects. Shadows, light, and bubbles were added to create depth. The image was taken by the tile sub-contractor, pixelized, and samples were created for the architect’s review. Upon approval, the matted tile sheets were numbered, laid out, and then installed on the pool.

The kids take immense pride in their new space (in an earlier post, one graded the work an A+++).

The mural extends into the new open lobby, creating a central hub. “When you look in, you see the blue, and see the wall going into the pool. But up close, the wall is kind of an abstract scene,” said Kountz. “When you sit in the viewing area and look across, it’s a big statement.”

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Extending The Bridge at the Partners in Caring Awards Gala

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ESKW/A team members mingle before the evening’s program begins.

On June 6, The Bridge held its 2018 Partners in Caring Awards Gala. In celebrating the organization’s work, two individuals were honored with awards, and funds were raised to bring help, hope, and opportunity to thousands of New Yorkers.

Cynthia C. Wainright, president of The Bridge’s board of directors, opened with remarks noting the agency’s 64 years of service. Currently, it houses 1,385 individuals from vulnerable populations in 24 buildings, two shelters, and over 500 apartments throughout the five boroughs.

“And next month, we will open a 66-unit residence on Maple Street in Brooklyn, which will support another 50 adults with serious mental illness and provide 16 affordable housing units for families,” Wainright added.

Wainright was referring to our East New York Avenue project with The Bridge. “No pressure,” one of our team members teased the project manager. The building is rapidly nearing completion.

An incredibly moving video showed Bridge clients living in their spaces and participating in programming that includes art therapy, horticulture therapy, and Assertive Community Treatment (ACT) sessions. Residents marveled at how now they simply feel free and safe in their new homes. A service staff member encouraged them that this is not their last step either, as many clients have transitioned through Bridge shelters and programs to permanent housing. The video closed with the poem “Myself” by Edgar Guest.

“The stories were tear-jerking,” said Sunčića Jašarović, one of our architectural designers. “What a wonderful organization.”

After the video, a client named Gregory spoke about his success story. Having spent 15 years with The Bridge, he has earned his GED, begun a career in maintenance at Bellevue Hospital, and become a U.S. Citizen.

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Mike Ong, project manager on East New York Avenue (somewhat seen behind him).

“I try to achieve in life,” Gregory said. “If I didn’t believe in achieving, I wouldn’t have come this far.”

The Curtis Berger Award was given to Gary Hattem, an advisor to nonprofit organizations. His work with banks, trusts, and foundations has helped make The Bridge’s work possible.

“Society has experienced a loss of social cohesion and what holds us together, but The Bridge brings everyone together in a common cause, in a feeling of unity and purpose,” Hattem said. “Everyone has a place in New York City. Everyone has an opportunity.”

The Partner in Caring Inspiration Award went to Leslie Jamison, an author, instructor at Columbia, and graduate of Harvard as well as the Iowa Writers’ Workshop. Her writing details her own battles with addiction and her journey to recovery. Guests received a hardcover of her most recent work, The Recovering. (And a tote bag. And a potted plant centerpiece, if they desired.)

“I found kindred spirits in the people who work at The Bridge,” Jamison said. “When I was fighting my addiction, I had access to all the resources—good doctors and therapists, a recovery community, supportive friends and family—that could help me recover. But many of The Bridge’s clients don’t have these resources available to them. The Bridge gives them access to all kinds of support they wouldn’t otherwise have.”

The night was an awe-inspiring celebration of the work the agency, architects, developers, and other groups have done—and a dynamic urge for the work to continue.

“The most important part of our work is that we are making it possible for people living in shelters, on the street, or in psychiatric hospitals to move into safe and affordable housing—fully furnished and equipped—so they can get their lives back on track. It’s a very tangible impact,” Carole Gordon, senior vice president for housing development at The Bridge, told us after the event. “The gala brought together people from so many walks of life. Hopefully they left with a good feeling and want to continue to support us in whatever way they can.”

If the donation thermometer is any indicator (it surpassed the $20,000 goal within minutes and was still rising as we left), then these efforts are sure to continue. And if this photo booth flip book is another indicator, then it’s a safe bet that people walked away with good feelings too.

NYLON #13: Homelessness in New York and London

By Kimberly Murphy, AIA

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On May 31, 2018, I attended the Urban Design Forum’s 13th session of NYLON at the Center for Architecture. The series brings together experts from New York and London to discuss shared issues facing our cities and to have an open exchange of ideas and conversation. Architects were joined by city agency officials, non-profit organizations, and other experts in conversations ranging from safer streets to affordable housing and homelessness.

It was fun to have our colleagues from “across the pond” share their experiences, struggles, and successes via Skype. The numbers vary, and programs have different names, but the bottom line is that affordability is dwindling in both cities, which leads to structural increases in homelessness. Structural causes for homelessness are those not related to behavior and include landlord policies and loss of stable housing. Joslyn Carter, administrator of the New York City Department of Homeless Services (DHS), spoke about how the number of children and families in temporary housing has been rising. Rents have increased exponentially higher than incomes have, and working families cannot keep up.

So what is being done? Alice Brownfield, director of Peter Barber Architects in the U.K., shared several remarkable projects that included shelters and supportive housing. Their work is impressive and speaks to a scale of “home” that many urban dwellers don’t experience. It’s interesting to me that there was such low density in some of the projects, whereas much of our work in NYC is based on high-density city conditions and providing up to 200 beds (max) in a facility. The “cottage” feel of their Holmes Road Studios is very appealing. I also appreciate their embrace of brick masonry as a material.

Holmes-road---Elevation

Credit: Peter Barber Architects (found via http://www.peterbarberarchitects.com/holmes-road-studios)

Common threads in the work were dignity of space, welcoming and bright entrances, and common areas that encourage socialization. Basic needs like security and high-quality programming were also core contributors to success.

Jonathan Marvel, of Marvel Architects, spoke about his firm’s work in evaluating the Belleview Men’s Shelter, which houses nearly 800 single men. From their studies, clients and program providers indicated that security, dignity, services, and community are  the top of values and issues related to shelters. Jennifer Travassos, head of prevention and commissioning for Westminster Council, referred to coming home and relaxing in your jammies as a practice not available to the homeless. I found that to be a great, humanizing reference that those with homes take for granted as a contributor to mental health and life in general.

We were especially interested in this discussion since our Landing Road (aka Reaching New Heights Residence) project for BRC enjoyed its ribbon-cutting ceremony earlier this month. In an innovative funding model, non-profit shelter provider BRC developed a 200-bed shelter on the lower levels of the building which funds 135 units of affordable housing on the upper levels. The project marks the first new construction of a NYC shelter in 25 years and serves as a model for financing much-needed permanent housing.

“Our HomeStretch Housing pilot—Landing Road—provides beautiful, high-quality affordable housing  to the low-income individuals BRC assists in our shelters,” said Muzzy Rosenblatt, president and CEO of BRC. “Through BRC’s The Way Home Fund, we plan to kickstart the development of a pipeline of projects that will replicate the success of Landing Road and ultimately create thousands of units of low-income housing, help the city decrease the size of the shelter system, and close down decaying and unsafe facilities.”

To connect back to what’s being done to improve NYC shelters, the Urban Design Forum sent their Forefront Fellows to Landing Road the morning following the ribbon-cutting as part of DHS’s Conscious Shelter Design initiative. The fellows were touring 15 different sites (including Project Renewal’s Ana’s Place) to develop guidelines for shelter providers that focus on maintenance, accessibility, landscape, and space utilization, among others. The architects, building owners, and program directors provided a tour and answered the fellows’ questions. It was interesting to speak of the design and programming of the Reaching New Heights Residence in the context of the previous morning’s seminar and comparisons to challenges and solutions in London. Issues related to entry, security, wayfinding, maintenance, and connection to nature all resonated. We were pleased to assist in the research and look forward to contributing further. The goal of DHS to become obsolete is a lofty one, and until it becomes a reality, we appreciate their efforts in making shelters places of welcoming and security.

Interest, Involvement, and Inclusion at Career Day

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Madiba Prep’s welcoming blew us away! We toasted sparkling cider to the students’ success.

Madiba Prep Middle School in Bedford-Stuyvesant, Brooklyn, rolled out the red carpet for ESKW/A and many other professionals on Career Day, May 16. We got breakfast, lunch, certificates, gift bags, and student performances. We even earned prime real estate on the career fair floor right by the gymnasium door.

“I was overwhelmed by our welcome,” said Amanda Sengstacken, one of our architectural designers. “The school was so gracious and appreciative. I really found it very moving, because as flattering as all the attention they gave us was, their enthusiasm underlined how important it is to the school to present their students with a wide variety of options for their future.”

We only hope that our efforts made the students feel just as welcome to the world of architecture. While the industry is improving, architecture has long faced a diversity problem. People of color, women, and other groups outside the status quo are still underrepresented in the field, and it’s up to us the change that. The AIA formed a Diversity Council in 2011 and ratified Resolution 15:1, “Equity in Architecture,” at its 2015 convention, and locally, groups like the New York Chapter of the National Organization of Minority Architects (NYCOBA|NOMA) and AIANY’s Women in Architecture (WIA) are continually working toward change.

So just as the school was grateful to have ESKW/A and other occupations share their work, goals, and career paths, we were grateful to be there to inspire the next generation of architects and to make this industry more inclusive. Since our inception in the 60s, that’s been part of our work. Our co-founder Judith Edelman was a pioneer in the field both as a woman and a designer of affordable housing. It would be great to have some of the kids consider architecture as a career, but even if we just piqued their interest in the built environment around them, we’ve done our job.

Principal Anne Marie Malcolm began the day by saying that when she came here from the islands, she thought she only had three paths to success: doctor, lawyer, or educator. And while she loves her job, she’s curious if she would have taken a different path had she known what was available to her. After today, the kids at Madiba Prep should know there are several paths they can take: architect, urban planner, firefighter, musician, fashion designer, and occupational or physical therapist, among others.

“I want the students to know that there is a plethora of options in store for their future,” added Kristina Crowell, guidance counselor at Madiba Prep. “I want them to know that they can be as creative, as ambitious, and as determined as they need to be in order to reach their goals. I appreciate you all for coming out and shedding some light on your passion and inspiring our youth in the process!”

At our table, students engaged with a floor plan, colored pencils, 3D model of the Rockaways Retail and Community Development, and finishes board from 233 Landing Road/Reaching New Heights Residence. We also connected over great conversations. Their initial questions were probably suggested by teachers: What made you choose to be an architect? Do you have to take a lot of school? And we admit ours were basic to get the discussion flowing: So, what do you want to be when you grow up? (Good luck to the youngster who wants to become a professional YouTuber!) How’d you become a hall ambassador? What’s your favorite building in New York? Do you like art, history, math and science?

“We did our best to make a convincing pitch for architecture,” said Sengstacken. “I also tried to convey how varied the options are even within that category.”

But as the kids became more involved and interested, so did their questions: How do you put little fake people into a rendering? Who decides how the drawing looks: you or someone else? How hard is it to work with a budget? We like to think those questions were the sparks of inspiration being ignited. Hopefully we didn’t extinguish any aspirations by saying a budget of $100 might only buy a new exit sign.

Thank you to the Madiba Prep faculty for hosting us, and to the kids for engaging and entertaining us.

Building on the Chinatown Health Clinic Foundation

Charles B Wang elevationBy Chris Curtland

Several of our team members attended the Chinatown Health Clinic Foundation’s 47th Annual Gala on May 8, which was held to raise funds to improve access to quality healthcare for underserved Asian Americans and other vulnerable populations.

ESKW/A designed the Charles B. Wang Community Health Center (CBWCHC) for adaptive reuse (at right; interior photos at post ending) in 2003, which was our fourth commission undertaken for the foundation. We also helped sponsor the gala and are currently working with CBWCHC on a new construction clinic project in Flushing.

Charles B. Wang donated $2.5 million at the event, while those in attendance bid several thousands on a variety of outings and goods. Even those who didn’t win an auction took home handsome prizes of their own in a swag bag, which included Hi-Chews, fortune cookies, crackers, ramen, and a stress ball.

The event’s attendance was staggering, as 800 guests filled the enormous Jing Fong restaurant on Elizabeth Street. Aries Dela Cruz, Manhattan’s regional representative for Governor Cuomo, gave opening remarks about how encouraging it was to see so many dedicated to a cause that began with so few supporters decades ago. Jane T. Eng, Esq., president and CEO of CBWCHC, energized the crowd by asserting that healthcare access should be universal, which resounded with our team.

“I was inspired to see so many healthcare providers talking about healthcare as a right, not a privilege. It was clear that everyone in the room felt a deep sense of pride for the work that they do and the marginalized communities they serve,” said Michael Kowalchuk, one of our architectural designers. “The night was a wonderful way to celebrate the ongoing progress and resiliency of the Chinese American community, one of New York City’s most vibrant immigrant communities.”

Dr. Sherry Huang and Dr. Angela Chan, from CBWCHC’s pediatrics department, resonated with me specifically by stressing the importance of providing those with specials needs the essential healthcare they require. They played a video of testimonials from family members of people with disabilities, describing how the clinic’s care and community has supported and empowered them. My brother was born with cerebral palsy, so that part of the night was particularly powerful for me.

Our relationship with the foundation began some 36 years ago when Harold and Judy Edelman first worked with the CBWCHC to develop their initial clinics. Last Tuesday night was full of reminders that we’re doing good work, but that the work isn’t over. It was also a night full of great food, discussion, and entertainment—so we thank the Chinatown Health Clinic Foundation for hosting, and look to continue building on this relationship for several more decades to come.

Exemplifying “Design for Healthy Living”

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The view from the event location

Last week, four of our team members attended Design for Healthy Living, hosted by the Center for Active Design (CfAD) in collaboration with the NYC Department of Design and Construction (DDC). In the spirit of the event, we walked the few blocks to 31 Chambers Street where it was held.

The interactive session included lectures, breakouts, and feedback— all focused on the intersection of design and health. Our team attended because we know architects are in a unique position to affect positive health outcomes in several ways, and because ESKW/A has been following the CfAD since FitCity 1 in 2006 (more on that later).

The Center for Active Design’s goals are to support the creation of environments that improve productivity, community engagement, and civic trust—while reducing stress, anxiety, depression, and social isolation. They put a strong emphasis on providing these types of spaces and amenities to some of the population’s most vulnerable groups, including at-risk youth, older adults, and those affected by homelessness and mental health issues, among others. This hit home for us.

Much of ESKW/A’s work—from affordable and supporting housing to community centers and schools—puts CfAD’s philosophies into action. In fact, our New Settlement Community Campus project was featured in one of the presentation’s slides (more on that later, too). We found the event valuable not only because it dealt with issues central to our core mission, but also because it provided the opportunity for discussion as opposed to feeling somewhat one-sided.

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Some of the most compelling takeaways indeed came from attendees who participated in the sharing session. One designer remarked that he saw a lot of active design strategies in the nicer neighborhoods of Manhattan but stressed the need for “equity across boroughs.” Another remarked that active design is important, but it shouldn’t come at the cost of accessible design. Perhaps the most captivating story came from a man who does work in Brownsville, Brooklyn, where conflict between public housing developments have had a grave impact on the neighborhood. To counter this, his organization worked to beautify the public space between the two and create a place each development is connected to through murals. He stressed that good design principles are most needed in communities that have been historically disenfranchised, marginalized, and overlooked.

“The Brownsville project resonated. As design professionals, we have an obligation to the community. As our work may be pinpointed to one building, we should be aware of the surroundings of a project and respond with compassion,” Suncica Jasarovic, one of our architectural designers, said after the event. “Our job as architects is to design for the health and well-being of humanity.”

Our very own Kimberly Murphy attended the first FitCity in 2006 and has been supporting the agenda ever since. She even spoke at the 10th annual event in 2016. Here are some slides from her presentation about New Settlement Community Campus, a project that exemplifies active design:

These things continue to matter to her and to us today. Below you’ll see she’s still “rocking” and reading to children at the New Settlement Community Campus. The project—a collaboration among the Settlement Housing Fund, NYC Department of Education, NYC School Construction Authority, and ESKW/A and Dattner Architects—was also featured in last week’s presentation. CfAD applauded the use of color to support wayfinding and locate programming in a building with many functions: a public school, D75 school, and intermediate/high school, in addition to a community center.

Kimberly NSCC Slide

“Healthy design and evidence-based research are especially relevant to our work, considering that our clients serve a range of at-risk New Yorkers: seniors, homeless or formerly homeless, children, mentally ill, people living at or below the poverty line,” explained Kimberly. “Our work has always taken a humanistic approach, and to hear that designers have a responsibility as health professionals is very interesting. It boosts the importance of design strategies that we consider best practices and pushes our strategies to new levels.”

We thank the CfAD and NYC DDC for their continued work in this arena, and for a great afternoon (and for the cheese)! To learn more about other projects of ours that address community concerns, click the links below:

LEDucate Yourself

By Michael Walch, AIA

When I attend a conference, I have three objectives: see a lot of new products, learn from experts, and enter raffles. This year’s LEDucation exhibition did not disappoint.

Things I Saw

Dim to Warm Capability. At last year’s LEDucation the hot thing seemed to be “tunable white” LEDs—one fixture with very warm (2700K) and very cool (3500K) LEDs side-by side so you could select how cool or warm you want the fixture. It’s a great thought until you realize you’ve pretty much doubled your controls, so this year the phrase “tunable white” was regularly accompanied by sighs and grumbles. It’s not exactly the same, but a lot of manufacturers are offering “dim to warm” LEDs which are a more practical, don’t-have-to-think-about-it solution. As the LEDs dim down, they auto-magically get very amber, more like a traditional incandescent bulb. It’s a nice upgrade.

Dim to Warm

Oxygen LightingThis manufacturer makes very simple, solidly built fixtures. They work well for our projects because they blend well between commercial and residential spaces. The form factors have just enough decorative interest, and they are offering bronze and brass finishes on more fixtures. We used Oxygen recently for the bathrooms at Chait Residence in Staten Island (see photo below).

Bruck by Ledra. This line includes decorative, pendant, and track fixtures. They are very budget-friendly so it’s nice when you find something like this sconce. It’s an open metal loop with a gold finish inside—a really nice accent.

Nuvo by Satco. These fixtures are well-made and budget friendly. We’ve used their fixtures on a few projects, because they’re a good source for simple forms.

Justice Design Group. Bring that alabaster realness! Yes, Justice Design Group is on the ornate residential side of the spectrum, but I was happy to see their line because almost all their shades are made of resin or acrylic, so if you’re looking for a glass alternative with some visual interest, they have good options. They’re also relatively affordable.


Things I Learned

This is my third year in a row attending Marty’s lecture (see slides below, click to expand). Can’t stop, won’t stop. Let’s be clear: it’s not the most fun topic, but the choice in energy code compliance paths (IECC or ASHRAE 90.1) is critical not just for lighting but on your whole project. Marty is a code expert and lighting designer so each year she can both update attendees on the code language differences, as well as consider real-world examples.

Exceptions make the rule, right? They also each have a story. Imagine you’re developing the new energy code and one of your esteemed colleagues arrives to a review meeting with a new outfit, which they’re obviously excited about, but it just looks terrible on them. I presume this was the initial spark that led to exempting mirror lighting in dressing rooms from the limits on total interior connected power under both model codes. Regarding those “nonhuman life forms” (we all see those cats in the upper right of the slide): I love my cat, and she needs light.

Parts of the energy code (ASHRAE 8.4.2 “Automatic Receptacle Controls” in this case) seem designed purely to annoy us. Perhaps the annoyance is a happy side effect but it turns out that while the energy use of lighting, proportionately, has drastically reduced in the past decade, other uses have stayed the same or even increased, and those uses tend to be plug-in devices. So, under ASHRAE 90.1, in some spaces plugs are required to be on a timer to reduce that.

Moving on: what’s flicker (see slide below)? It’s a blinking light source that’s perceptible and annoying. What’s an acceptable level of flicker? That definitely depends on the application, and probably on the individual observer. Now you might be saying to yourself, “These expensive LEDs flicker?” Yes, inherently! Unlike incandescent sources, LEDs have no partial-on state, so dimming is achieved by rapidly cycling them on and off so that you perceive them as dim. This is handled by the driver; it is often a challenge at lower light levels, and different drivers (even from the same manufacturer!) will perform differently. It’s an ongoing challenge and all the more reason to round up sample fixtures for everything on your project.

Let’s say you have a fabulous all-LED installation of about 100 fixtures. But one dies. Unfortunately, we are back to the classic “re-lamping” issue where you may need to replace all the lamps if you want them to match color or dimming performance. LED lighting is evolving at the pace of the semiconductor industry, so LED chips you purchased a year ago are probably not made anymore. It’s important to select fixtures that use swappable LEDs or can be wholly replaced themselves.

Dimming: it’s universally a nice thing to have. The good news is that since all LED fixtures require a “driver” that steps the AC power to DC, almost all fixtures offer some form of dimming option. From there, things get a little crazy. In a nutshell, every component of the system from the diodes all the way back to the controls has to be compatible and even then, like the diagram below shows, different fixtures will behave differently as you move those sliders or spin those dials. All to say: check compatibility all the way across the system and get a sample or mock-up of every fixture type, with a control on it, to understand how it will behave.

If you have a thing for vintage lighting controls, fear not—you can generally use them with LED light fixtures. However, especially where the energy code or program requires more complex zoning and controls, traditional components end up with very complex wiring schemes that are rife for error and inflexible for future changes. Digital controls offer the trade-off of possibly more expensive components but a more simple and flexible physical installation.


Things I Won

Nothing from the raffles unfortunately. But at least I got the takeaways above.

Michael Walch, AIA, has been with ESKW/A since 2011. In addition to being our resident LED-enthusiast, he is currently the project architect on the School Street Residences in Yonkers for St. Joseph’s Community Medical Centers and project manager for the Rockaways Retail and Community Development. His past projects for ESKW/A include Sister Jane Manor (also for St. Joseph’s), DF Mavens Store, and Ocean Wonders: Sharks! (for which he was our shimmer wall expert, among other duties).