One of the many joys of architecting is getting into the field. Here are a few of our favorite Architects-In-Action shots …
Today, March 8th, is International Women’s Day, and the UN’s theme for 2016 is “Planet 50-50 by 2030: Step It Up for Gender Equality.”
At ESKW/A, we are 12 women and 8 men.The strength of women in this practice traces back to the firm’s inception in 1960, when Judith Edelman was one of 3 founding partners. Her ‘firebrand’ legacy (see NYTimes article here) as a pioneer for her gender in this field has influenced ESKW/A in all of its iterations since. Click here to read an interview with Judy for this blog in 2012.
The upcoming Women’s Day along with the recent publication of the (rather disheartening) 2016 Women in Architecture Survey generated a fair amount of discussion among us. Below, we share some of our team’s reflections on the topic of gender in our field.
Do you think that men and women have different experiences in the workplace/field?
“It has happened that I’ve had to correct people that I’m not on the job to only pick colors; that I’ve detailed the project, coordinated the MEP and Structure, and am eagle-eye watching the waterproofing.” Kimberly
“My field experience has been great. Only once was there a cat-call from a construction worker as I approached the site. I just smiled and put on my hard hat so that he understood my role and there were no cat-calls thereafter.” Fialka
“I think there are still differences but they are thankfully becoming fewer. It is, however, still pretty standard to be the only female in meetings.” Andrea
“Yes many differences. I think the field is still driven in the bigger picture by men. BUT women when practicing the practicalities of the profession are much more detail-oriented and organized than men.” Francisco
“I think that clients, consultants, and contractors recognize that women should be respected in the workplace but they’re a little bit unsure of how to walk the line between camaraderie and professionalism when they’re faced with women of authority. I feel like I can see them being more careful of this line than if they are speaking to a male architect.” Marcella
“Absolutely. In the field, or in interactions with people in related trades, I feel that females start the relationship with a deficit. I think that we have to work harder to prove ourselves worthy.” Amanda
“In my experience (limited to this firm) males and females are treated with exceptional quality with no division between the two. Everyone here is treated with mutual respect.” Justin
Was there a female role model who particularly influenced your education or career?
“I have seen [my mother] do everything as the head of a house. No limits, no regrets from her; that is why I consider myself well-educated by a woman. I’ve learned not to see any difference between what males and females can do in their profession, both are capable. Especially with my female professors, my coworkers and supervisors today–all have something to share and learn from.”
“I’ve been inspired by a handful of female architects but I think the most influential female figure is Marta Gutman, my architectural history professor in grad school. She would always stress the social context of the time and how design played a role in it. For me, she made it clear that as architects and designers we do have a choice in the type of work we take part in and should acknowledge its consequences, both good and bad. Looking back I’m pretty sure she planted the seed that led me to want to work at a firm like ours.” Mike
“I’ve been continuously inspired by some of our outstanding female clients who are doing amazing work and have been for decades. Specifically Sister Tesa Fitzgerald of Hour Children, Inc. and Carol Lamberg of Settlement Housing Fund. They are geniuses in their fields and build consensus in their teams with grace and respect that I’m very inspired by.” Kimberly
“All but one or two of my studio professors have been women in addition to other courses so I have many stories to choose from. From Laura Kurgan’s housing studio at GSAPP I learned methods to extract design intelligence from geographical and statistical sources. Yoshiko Sato, in her space studio, had us designing space in low earth orbit, a completely different physical reality. Dana Buntrock’s construction materials and methods course at Berkeley CED is an institution unto itself and one of the most valuable courses I took. Janet Delaney’s photography course at Berkeley was formative both for understanding light and composition and the process of creating art.” Michael
“In the cheesiest answer possible, my mom influenced my education and career. She was the only child out of a family of six children to go to college. She worked extremely hard to make it to the US and took a huge risk in leaving Hong Kong to try a start a better life for herself here. Growing up, she’s always taught me that there are no limitations to what I want to achieve. It’s hard to explain how significant that is, but it made a huge difference in how I responded to and embraced my education and career.” Marcella
“Yes, Andrea Swartz was the second studio professor I had in architecture school. I visited NYC with her and a peer as she gave the two of us a personal and swift highlight of the city’s architecture. I remember distinctly her critiques and strong encouragement that helped push me through her studio and onward. She inspired the architect within me and her words have stuck with me as I continue the internship here in NY.” Justin
What would be your advice for young women seeking to enter this field?
“COME!! Join the forces! We need more females and minorities. Our voices and contributions are critical and make our work more relevant. Overall, I would strongly encourage them to go for it. I would also give them an honest disclaimer that you have to really love it for it to be worth it.” Annie
“My general attitude is that if your intuition tells you to do it, then do it. The biggest obstacle is going to be yourself. I feel like this is probably applicable to most young women as women can be more self-critical than men. This is a very big obstacle to overcome.” Marcella
“The profession benefits from diversity. Young women should not be deterred from entering this field. Society is changing and we should be taking advantage of the new opportunities.” Andrea
“You can do it all! We all have strengths and weaknesses that will only reveal themselves after years of practice, but you CAN be a renaissance architect and learn it all.” Kimberly
“If you’re passionate about Architecture then go for it … however, if top financial compensation is your priority, beware. Of all the professions, ours is among the least compensated given hours put in and education.” Fialka
“I’d like to believe that male or female, as long as you are respectful, capable, and confident you’ll be able to succeed–idealistic, I know.” Mike
Since we completed their interior fit-out in 2012, we’ve jumped at every opportunity to visit the Bronx Community Charter School and see the kids and teachers in action in their new space. Kimberly and Marcella stopped by BxC today and as always, they were blown away.
The 6th grade class recently finished a project studying the human body and site-specific art. They scoped out sites in their school and created sculptures out of clear packing tape. They studied the position of the body, the way limbs fall, and then one person in each 3-person team became the model. The resulting sculptures are hanging out on a bench, the ductwork, and flying under the central skylight.
We love their artwork (which reminds us of this series of floating and glowing human figures by Cédric Le Borgne installed internationally between 2006 and 2011).
Check out the kids’ talent!