Walton Rises

Last Fall we happily announced the start of construction on the new 60-unit affordable housing building going up in Mt. Eden, the Bronx, under a partnership between Settlement Housing Fund and The Briarwood Organization. 1561 Walton Avenue has progressed steadily ever since and is now more than halfway through plank installation — project team Daughtry, Kerry, and Andrew are very pleased to share a few shots of the progress below.

The building is visually broken up into 4 planes stepping back from the front property line, which will be further articulated with different shades of brick to create a 4-step gradient across the facade.

The project’s anticipated completion is Fall 2017.

1561 Walton Birds Eye

 

Movement and Architecture

by Martin Galindez

ZAHA_520 W 28TH ST_NY

520 W 28th Street, Zaha Hadid Architects

When we think about “movement” we are usually referencing the physical action of a building structure, construction details, façade systems, or any building material. As we know, movement itself can have many definitions depending on the parameters of our research. As Architects, we know it is not only based on the physical action of elements of a structure or space driven by external or internal forces, but can be given by the idea of its “expression.”

ZAHA_ROSENTHAL CENTER FOR ARTS_OHIO

The Rosenthal Center for Contemporary Art, Ohio, Zaha Hadid Architects

Undoubtedly, Architect Dame Zaha Hadid is a great example to bring in as a discussion for this. Her firm in today’s design has expressed movement in many different ways, typologies and scales. Her multiple projects vary from dynamic interiors vs modular exteriors driven by site restrictions. Dynamic structures called “frozen movement” which can be thought of as elements prepared to take action at any time and gently play within the surrounding landscape. And not only has that – her furniture, painting, and fashion designs express liberty, creating her own language over time.

ZAHA_HEYDAY CENTER_REP OF AZERBAIJAN

The Heydar Aliyev Center, Azerbaijan, Zaha Hadid Architects

Essentially, movement can be given through the eye, mind, and imagination of forces to perceive this intention of freedom. On our end, being inspired by her language, it would be interesting to challenge ourselves bringing into consideration an “illusion of movement” hand in hand with time to our projects such as in research of tectonics, common spaces-lobbies, corridor materials and – why not? – lighting.

 

 

Happy Earth Day!

Slash A Earth Day

This Earth Day, we’re taking a moment to look back at one of our favorite eco-friendly projects, the Eco Restroom at the Bronx Zoo for the Wildlife Conservation Society. This was a very fun project, and the restrooms far exceeded their initial goal of providing an eco-friendly comfort station to actually become an exhibit and learning opportunity.

The weather is looking great this weekend – it’s a great time to go check out the Bronx Zoo, and learn a bit about sustainable water use while you’re there.

Photos by David Sundberg for Esto Photography

Architects in Action

One of the many joys of architecting is getting into the field. Here are a few of our favorite Architects-In-Action shots …

Happy International Women’s Day!

Today, March 8th, is International Women’s Day, and the UN’s theme for 2016 is “Planet 50-50 by 2030: Step It Up for Gender Equality.”

At ESKW/A, we are 12 women and 8 men.The strength of women in this practice traces back to the firm’s inception in 1960, when Judith Edelman was one of 3 founding partners. Her ‘firebrand’ legacy (see NYTimes article here) as a pioneer for her gender in this field has influenced ESKW/A in all of its iterations since. Click here to read an interview with Judy for this blog in 2012.

The upcoming Women’s Day along with the recent publication of the (rather disheartening) 2016 Women in Architecture Survey generated a fair amount of discussion among us. Below, we share some of our team’s reflections on the topic of gender in our field.


Do you think that men and women have different experiences in the workplace/field?

“It has happened that I’ve had to correct people that I’m not on the job to only pick colors; that I’ve detailed the project, coordinated the MEP and Structure, and am eagle-eye watching the waterproofing.”  Kimberly

hardhat“My field experience has been great. Only once was there a cat-call from a construction worker as I approached the site. I just smiled and put on my hard hat so that he understood my role and there were no cat-calls thereafter.”  Fialka

“I think there are still differences but they are thankfully becoming fewer. It is, however, still pretty standard to be the only female in meetings.”  Andrea

driven“Yes many differences. I think the field is still driven in the bigger picture by men. BUT women when practicing the practicalities of the profession are much more detail-oriented and organized than men.”  Francisco

“I think that clients, consultants, and contractors recognize that women should be respected in the workplace but they’re a little bit unsure of how to walk the line between camaraderie and professionalism when they’re faced with women of authority. I feel like I can see them being more careful of this line than if they are speaking to a male architect.”  Marcella

worthy“Absolutely. In the field, or in interactions with people in related trades, I feel that females start the relationship with a deficit. I think that we have to work harder to prove ourselves worthy.”  Amanda

“In my experience (limited to this firm) males and females are treated with exceptional quality with no division between the two. Everyone here is treated with mutual respect.”   Justin

Was there a female role model who particularly influenced your education or career?

“I have seen [my mother] do everything as the head of a house. No limits, no regrets from her; that is why I consider myself well-educated by a woman. I’ve learned not to see any difference between what males and females can do in their profession, both are capable. Especially with my female professors, my coworkers and supervisors today–all have something to share and learn from.”

conseq“I’ve been inspired by a handful of female architects but I think the most influential female figure is Marta Gutman, my architectural history professor in grad school. She would always stress the social context of the time and how design played a role in it. For me, she made it clear that as architects and designers we do have a choice in the type of work we take part in and should acknowledge its consequences, both good and bad. Looking back I’m pretty sure she planted the seed that led me to want to work at a firm like ours.”  Mike

“I’ve been continuously inspired by some of our outstanding female clients who are doing amazing work and have been for decades. Specifically Sister Tesa Fitzgerald of Hour Children, Inc. and Carol Lamberg of Settlement Housing Fund. They are geniuses in their fields and build consensus in their teams with grace and respect that I’m very inspired by.”  Kimberly

“All but one or two of my studio professors have been women in addition to other courses so I have many stories to choose from.  From Laura Kurgan’s housing studio at GSAPP I learned methods to extract design intelligence from geographical and statistical sources.  Yoshiko Sato, in her space studio, had us designing space in low earth orbit, a completely different physical reality. Dana Buntrock’s construction materials and methods course at Berkeley CED is an institution unto itself and one of the most valuable courses I took.  Janet Delaney’s photography course at Berkeley was formative both for understanding light and composition and the process of creating art.”  Michael

mom“In the cheesiest answer possible, my mom influenced my education and career. She was the only child out of a family of six children to go to college. She worked extremely hard to make it to the US and took a huge risk in leaving Hong Kong to try a start a better life for herself here. Growing up, she’s always taught me that there are no limitations to what I want to achieve. It’s hard to explain how significant that is, but it made a huge difference in how I responded to and embraced my education and career.”  Marcella

“Yes, Andrea Swartz was the second studio professor I had in architecture school. I visited NYC with her and a peer as she gave the two of us a personal and swift highlight of the city’s architecture. I remember distinctly her critiques and strong encouragement that helped push me through her studio and onward. She inspired the architect within me and her words have stuck with me as I continue the internship here in NY.”  Justin

What would be your advice for young women seeking to enter this field?

voices“COME!! Join the forces! We need more females and minorities. Our voices and contributions are critical and make our work more relevant. Overall, I would strongly encourage them to go for it. I would also give them an honest disclaimer that you have to really love it for it to be worth it.”  Annie 

“My general attitude is that if your intuition tells you to do it, then do it. The biggest obstacle is going to be yourself. I feel like this is probably applicable to most young women as women can be more self-critical than men. This is a very big obstacle to overcome.”  Marcella

society“The profession benefits from diversity. Young women should not be deterred from entering this field. Society is changing and we should be taking advantage of the new opportunities.”  Andrea

“You can do it all! We all have strengths and weaknesses that will only reveal themselves after years of practice, but you CAN be a renaissance architect and learn it all.”  Kimberly

“If you’re passionate about Architecture then go for it … however, if top financial compensation is your priority, beware. Of all the professions, ours is among the least compensated given hours put in and education.”  Fialka

“I’d like to believe that male or female, as long as you are respectful, capable, and confident you’ll be able to succeed–idealistic, I know.”    Mike

Percent-chart

Art & Architecture

Since we completed their interior fit-out in 2012, we’ve jumped at every opportunity to visit the Bronx Community Charter School and see the kids and teachers in action in their new space. Kimberly and Marcella stopped by BxC today and as always, they were blown away.

The 6th grade class recently finished a project studying the human body and site-specific art. They scoped out sites in their school and created sculptures out of clear packing tape. They studied the position of the body, the way limbs fall, and then one person in each 3-person team became the model. The resulting sculptures are hanging out on a bench, the ductwork, and flying under the central skylight.

We love their artwork (which reminds us of this series of floating and glowing human figures by Cédric Le Borgne installed internationally between 2006 and 2011).

Check out the kids’ talent!

 

From the Field – Support of Excavations

Kimberly Murphy

As 2016 will be a year of heavy construction administration, we’ve taken the opportunity to learn from each other and share our experiences in a bi-weekly office forum. One recent topic that has emerged from a change in the DOB application approval process is Support Of Excavations (SOE).

battleSOE’s are a Department of Buildings application filed to describe the design, means, and methods for excavating the site in preparation for the new construction. In our experience prior to last year’s filings, the SOE had not been a requirement prior to approval of the New Building (NB) application, leaving this application in the hands of the General Contractor as part of the requirements in pulling the Construction Permit. Now that the DOB is requiring the SOE to be submitted along with the NB prior to approval, the architects have become involved in this process and the SOE design, which is prepared by a geotechnical or other structural consultant to the Architect or Owner, and becomes part of the Contract Documents. Essentially the SOE design becomes another trade consultant to coordinate whose design has impact on cost and schedule. Including the consultant earlier than later in the design process and coordinating with the Structural Engineer has been key. It’s critical that we understand the impact of the proposed SOE design, the proposed impact SOE ESKWon the adjacent properties, and the resultant costs.

The cost associated with the SOE work is significant, and as with any trade, there are several ways to skin the cat. The SOE design that goes out to Bid, could be subject to value engineering and is a way that submitting Bidders can propose to cut costs. This could mean revising the consultants’ design or even replacing the SOE application and superseding the design professional.

Even once the SOE and the NB are approved and the GC has permits in hand, there is no guarantee that things will sail smoothly. Due to unforeseen below-grade conditions, the SOE design is likely to change—possibly many times. As with all approved DOB applications, the SOE then needs to be amended to reflect the updated design.

We all know that getting out of the ground is more than half the construction battle, so being more familiar with the SOE process has become something worth talking about. Our internal office discussions have been crucial for furthering our knowledge.  Any thoughts or experience with SOE? Feel free to comment or contact us!

Happy digging!